Devils and wraiths and witches and warlocks Dastardly demons that tug at their forelocks Are they netherworld dwellers ever so keen? No, they're just children, enjoying Halloween
Yesterday I posted about Christmas. A wrong message to the world. Today we had +11C, clear high sky, beautiful autumn colors and perfect weather for walking along Oslo´s main waterway Akerselva. The entire river is about 8.2 kilometres long, and has a difference in altitude of approximately 149 meters. The river starts at Lake "Maridalsvannet", the most important water reservoar for Oslo.From the water reservoar the river moves slowly like a smile-wrinkle, but the altitude variations make the waterfalls down to the fjord very spectacular.In the "new" city at Nydalen (previously Christiania Spigerverk) artificial waterfalls are constructed for strenghtening the combination of modern buildings and traditional waterways. Further down the beauty of Lower Voyen Fall at Graah´s Spinning Factory and HønseLovisas House, had to be part of this blogpost.Turning west and away from the beauty along the riverside we pass Damstredet at Fredensborg on our way back home. Damstredet was mostly built from 1810 to 1860, as part of the expansion of Oslo that begun at this time. The first house, Solberg, was erected in 1756 by sculptor Ole Meyer. His nephew, sculptor Andreas Hansen Meyer, took over in 1767, while his son Ole, also sculptor, erected another building in 1838. His friend, author and poet Henrik Wergeland, then newly wed, moved in and spent two of his most productive years here, until moving to Grotten in 1841. The monumental building of Deichman Library (Norway´s lagest public library at Hammersborg makes the photo report from our Sunday walk complete. The Library will move to Bjørvika close to Oslo Opera House within a few years.
Photographs copyright: DAVID McMAHON (Image ID:131-6570)
Sometimes you see Renaissance-style art in the strangest places. This mural brought me to a halt as I walked down Lygon Street in central Melbourne about three weeks ago. It's not a huge wall, more like a small rectangle tucked into an inconspicuous spot beside the cafes that line the famous stretch of road.
But look carefully at the mural and you'll see that the exterior pipes have obviously been there for years. This in turn would suggest that the mural is fairly recent, and has been painted around the pipes.
Look at the image below and you'll also notice a clue that Lygon Street is famous for its cafes and multicultural cuisine. Can you see the glass that someone has left on the low parapet on the left? And there's something else there too, that I didn't notice until I reviewed these images on my computer screen - the artist has left his mobile (or cell phone) number under the dials on the bottom left-hand side of the image.
Photograph copyright: DAVID McMAHON (Image ID:131-6570)
This is a British documentary, so you know which one of the three is getting the main focus. Okay, picture two pyramids next to each other. The one on the left is Lou Reed and the one on the right is Iggy. Balancing between them is a line connecting the two (that is Marc Bolan, mentioned often but not in detail). And finally there is the third pyramid of the “sacred” triangle, David Bowie, on top of it all. That is the vision presented here. Okay, I’m done. Naw, not really, as this is still an interesting – albeit somewhat skewed – vision of the three.
Let me quickly add here that I am totally impressed by the choice of interviews that have been selected for this doc, which is so much better than the Pearl Jam one in this series. But more on the talking heads later.
There’s no doubt that Bowie was influenced by Lou Reed and the Velvet Underground, but that’s nothing new. Just listen to David Jones’ singing style around the Ziggy Stardust period, and it’s easy to see the progression from his earlier works. Personally, I’d rather listen to Reed’s take, but that’s just me, walkin’ on the wild side on a Sunday morning when comes the dawning.
There’s plenty of clips here of the Velvets; well, as much as there really is, which is limited, and taken by the Warhol crowd “artfully” (i.e., in fast speed) while in Exploding Plastic Inevitable mode (Gerard and his whip dance is often present). Bowie was still in folkie / cutsie mode when he first heard “Waitin’ for My Man,” and (rightfully) became a huge VU fan. An example given here is his “Toy Soldier,” which is such a – er – homage to “Venus in Furs,” it even quotes it in a few place, such as the line “bleed for me.” The video for the song has someone dancing with whips. And on “Black County Rock,” as explained in this doc, Bowie even imitates Bolan. MainMan publicist and photographer Leee Black Childers, who would later manage Iggy and then the Heartbreakers, states here that Bowie’s true talent is to know what to steal. In fact he said this and many of other the other bon mots he posits in a FFanzeen interview conducted by our own Nancy Foster (aka Nancy Neon) back in 1982 (reprinted here: ffanzeen.blogspot.com/2010/02/portrait-leee-black-childers.html).
Andy Warhol is shown as possibly as big an influence as the VU, and to talk about the theatrics of the Factory and its influence on Bowie are the likes of the very wound up VU biographer Victor Bockris, the fabulous aforementioned Childers (who used to have one of the coolest motorcycle jackets ever, with an image of Gene Vincent painted on its back), the equally extraordinary Jayne County, smartly dressed in bright red Little Red Riding Hood mode (she even matches the couch!), 16 Magazine publisher (early on) and Ramones manager Danny Fields, and the Psychotic Frog himself (who was also one of Andy’s superstars), Jimi LaLumia. They paint a vivid picture of Lou and Andy’s influence on not only Bowie, but music in general. But Bowie is the main focus here, and in this case almost rightfully so, as Lee, Jayne, and Jimi were all hired by the Bow-ster to work with Tony DeFries and help run his production company, MainMan. One person seriously missing from the interview call list, though, is Cherry Vanilla, which is a serious deficit.
But the person of interest for me here, interview wise, is definitely Angela Bowie. A while back I found her kind of abrasive, but I must say that my opinion has totally changed, and I now I can see her as incredibly refreshing. She holds nothing back, and will tell the most intimate details at top volume. My apologies to you, for any negative thoughts I may have had in the past. But I digress…
Other interviewees include writers Paul Tryoka and Dave Thompson, and musician John Harlsen, who was a drummer on the Bowie-produced Lou Reed first popular solo effort, Transformer (as well as being Barry Womble, of the Rutles), which included his hits “Satellite of Love” and “Walk on the Wild Side.” They all paint a very detailed portrait of Bowie, and what effect Reed and Iggy had on him, and how Bowie had affected them. Also included are some short interviews (more likely called clips) with the key artists involved, such as Bowie (from 2001 and 2007), Lou Reed (1986), Iggy (1988), and just as importantly, Mick Ronson (looking extremely frail shortly before his death in 1993). There would arguably be no Bowie to the scale he achieved without Ronson as a musical driving force (rather than an influence, like Reed and Pop), I’m convinced.
Possibly one of Warhol’s biggest influences (and he really is as big as either Lou or Iggy in the David Jones pantheon) is the idea that “You’re a Star!” and if you act like it, people will come to believe and expect it. Even before the money, there was the wardrobe, the limos, the expense accounts, and all the trappings. LaLumia states it quite well when he relates that Bowie claimed that “I’m an actor. I’m not a musician. I’m portraying a rock star.” I can’t argue with that, as I’ve always found that Lou Reed was true to what he believed, as was Iggy totally committed to what he was doing, but Bowie was posing, rather than being. Perhaps that’s why I’ve never found him to be someone I’ve looked up to musically, especially in the reality of the punk days of the Ramones and the ilk.
While Iggy’s role in the Bowie history (and vice-versa) is more commonly known, there is much less about Iggy here than either Reed or especially Warhol. Bowie famously helped Pop both get off drugs and revive his career. For me, Bowie major force was in the studio as a producer, more than a vocalist, or especially as an innovator, as he was a series of influences creatively recast. Angela probably had as much to do with Bowie’s success as did David or Ronson – or even DeFries. And I won’t even detail Cherry Vanilla’s outreach program.
The added feature to the DVD is a seven-minute documentary called “The Nico Connection,” which shows how she had touched the lives of all three musicians that are the focus of the main feature. There is a bio for each of the contributors, and it put a smile on my face to see my pals the She Wolves given a shout out by Jayne County, as they’ve worked together over the past few years.
As a last note, I would like to add that after viewing this DVD, check out The Velvet Goldmine, which will then make so much more sense.
Here’s an initial review on MARC JACOBS LOLA SOLID RING PERFUME.
PRICE: ?
PLACE BOUGHT: SINGAPORE AIRLINES (AIRLINE SHOPPING)
OTHER LOCATIONS: SEPHORA; AUTHORIZED MARC JACOBS RETAILERS
THE VERDICT:
Lola’s whimsical flower design has got to be one of the sexiest and cutest perfume packaging I’ve ever encountered. It’s speaks of a woman’s sexy, flirty, and sultry side.
Top view. Ring is made of polished metal.
This perfume ring is housed in a faux leather pouch.
It also comes with a ball chain which you can use to hang this on your bag as a keychain if ever the ring is becoming a bit of a burden on your fingers. Quite frankly, this ring is heavy. If not for its cuteness and uniqueness, I wouldn’t be wearing this around my finger.
This gold- plated ring has a twist cover which reveals the white solid perfume inside.
With a few blog hopping and reading, I’ve found out that some regard Lola as the older sister of Daisy, one of Marc Jacob’s earlier perfume release. Daisy is described as a dainty, feminine, and light scent, while Lola is the mature, provocative, and to an extent, a dark scent. But even if I didn’t know that Daisy and Lola are siblings, I’d still probably think that Lola is a mature scent. But fear not when I say mature, because the allure of Lola is to be appreciated by women from 20- 70 years old. The scent is able to balance warmth and lightness. It’s a perfume that’s in between ages.
At first whiff, you can smell the vanilla and floral accords, which can be a bit strong to some. But it’s tolerable for me. Then more florals are introduced in the middle notes, and it dries down to a floral musky scent, with a hint of vanilla. It smells warm, sexy, and provocative. It’s great for night time wear, but might be a bit too much if worn during daytime.
Well, at least the dainty ring never fails to receive compliments from my friends, and even from strangers. And they appreciate it more if I tell them that it’s actually a ring with perfume. According to them, it’s a unique find.
If you’re after the accessory, then I would recommend that you buy this thing. I swear, it’s really pretty in actual. But if you’d rather have the perfume, then go for the bottled version.
**Marc Jacobs Solid Perfume Ring is unavailable locally. Liquid perfume versions are available locally in Rustans. Get it 50% cheaper than mall costs at LE PERFUMERIE: AFFORDABLE SCENTS
Hubby and I had our first- ever Halloween dinner. Since we have no costumes at home, I just decided to wear an unusual shade of lipstick for Halloween.
Here's moi wearing MAC Venomous Villains lipstick in Violetta from the The Evil Queen collection.
This lipstick looked a bit too much in the tube. The color looks intense, and a bit scary to wear. But heck, it's halloween! :p
Surprisingly, this lipstick is very wearable. No reason to fear Violetta anymore! :)
The shade is best worn with clothes in the the ff. shades: pale pinks, grays, pale peaches, lavenders, and whites.
I didn't want to miss both SkyWatch and Weekend Reflections, so I remembered one evening when my hubby said, "Come here and bring your camera." It was a glorious sunset, and a fun foto as reflected in the windows of our cars parked in front of the house.
Alternate Histories announces Christmas Cards, new Great American Cities series in time for Holiday Guides
Pittsburgh, PA
After a wildly successful show at WildCard store and gallery in Lawrenceville, local artist Matthew Buchholz is expanding his “Alternate Histories” line of monsters crossed with vintage images just in time for the holidays.
The Friendship-based artists is debuting a new set of four Christmas Cards, each featuring a homespun, holiday scene with a monster or alien wreaking havoc amidst it. Perfect for the sci-fi lover or someone who enjoys not taking the holidays so seriously!
And after great demand for the Alternate Histories prints of Pittsburgh, Buchholz is introducing a new series “Great American Cities.” Featuring historic cities like New York, Washington D.C., Chicago, and more, this series brings the vision of sea monsters, robots, and skyscraper-sized monsters to a new set of towns.
Holiday cards sell in packs of eight for $16 each. Prints are $20 each.
All work is available in Pittsburgh at WildCard, 4209 Butler St, 15201 (www.wildcardpgh.com)
The Pittsburgh Art Blog features selected pittsburgh artists and upcoming exhibits with photos from the artists and galleries. since the major press outlets do not go beyond a directory listing of exhibits, blogs are needed to promote pittsburgh artists and their work. the blog also calls attention to the inferiority complex of pittsburgh art and how it's perpetuated by the major players in town. Started on August 20, 2007.pittsburgh area galleries and art venues are listed at the sister site www.PghGalleries.com.
the blog and website are volunteer projects from fine art photographer and pittsburgh artist advocate rick byerly, www.RickByerly.com.
The B6 Passat was heavily facelifted by Klaus Bischoff and Walter de Silva, and was unveiled at the Paris Motor Show in September 2010 and although designated "B7" the car is not an all-new model.
The facelift resulted in every external body panel being changed, except for the roof and glasshouse, with the most prominent change being to the grille and headights, which mirror the style first shown on the Mk3 Scirocco. The height and width dimensions are unchanged from the B6 Passat, while length increases by 4 mm. New features include a fatigue detections system and an automatic “city emergency braking” system.
It should arrive at dealerships in mid-November 2010. The interior featured minor detail changes from the B6, although the basic dashboard design remain unchanged. A long-wheelbase version of the Passat will be built in China by FAW-VW in 2011.