Text (c) Robert Barry Francos, 2011
Videos (c) Alan Abramowitz/Videowave, with permission
I became involved in the Videowave cable access program pretty early on, starting off as a photographer and ending as a videographer, but for most of the shows from the 1980s, I was floor manager for those clips below, being the connector between the set and the control room. Yeah, the guy with the clipboard and the headset. There was no money involved for anyone, but it gave me the opportunity to meet a lot of great talent, and also connected FFanzeen to some future interviews.
Back then, the technology was top of the line U-Matic 3/4-inch tape, but in today’s HD world, well, it looks worse for wear. However, the artists are what matters, and what they say is still relevant for fans, if dated. However, it is not as passé as some of the fashions being worn by the artists and especially the interviewers.
Here is a selection of a half dozen of bits of interviews from shows on which I worked. Meanwhile, Videowave is still on in many of the tri-state markets, and new shows are still being created. These interviews were taped at Young Filmmakers Studio (no longer in business), on Rivington Street on the Lower East Side, during the first half of the 1980s, except for the first one, done on-location. The stage background was a painted on shower curtains by the late artist Chester Parnell.
Here is the first in what I hope will become a series of blogs, but I will only put up ones that has a direct link to either FFanzeen, or to me directly.
1. Joey Ramone, April 1997
With me on camera at Arturo Vega's apartment, Jimmy Marino interviews Joey R. on the night he was filming a clip to be shown at a party for Boston DJ Oedipus, which we got to watch being taped, and included Aurturo paint the “blood” on the apron. The apron was thrown into a corner after the interview, and I took it home as a souvenir; I later heard that Joey had a fit, and I returned it with an apology. If I still had it, it would be framed and put on the wall. RIP, Joey…
2. Lydia Lunch, October 1983; November 1985
Merle Ginsberg (who has gone on to a media-focused career: www.buddytv.com/info/merle-ginsberg-info.aspx) interviews Lydia first, followed by my then-FFanzeen Managing Editor Julia Masi. I had interviewed Lydia back in 1977 when she fronted Teenage Jesus and the Jerks, and she was a complete asshole, but she was still quite young. A lot of her anger came across as bullshit poseur, and that’s what turned me off to her. The whole I’m cool because I’m a nihilist; aren’t I just terrible and annoying? came across as performance art to me. At the time of the first interview shown here, which I floor managed, she was collaborating with Nick Cave, Clint Ruin and Marc Almond, as well as doing “poetry” with Exene Cervenka of X. I don’t believe I was present for the second interview, though. It could also be noted that she did not remember me from our first encounter.
3. Immaculate Consumptive (Clint Ruin and Nick Cave), October 1983
This is just a short clip of Merle interviewing Clint Ruin (Foetus on the Wheel, etc) and Nick Cave (Birthday Party, Bad Seeds, etc.), which was taped the same day as the first Lydia Lunch interview above (explaining why Merle is wearing the same outfit). While Lydia was being taped, they sat in the back of the studio finishing bottles of whatever it is they were imbibing, and by the time it was their turn, they were completely blitzed (note the bottle in Cave’s hand). Though they were pissed to the gills, they were not disruptive to whatever was going on around them, I’m happy to say. The pre-chaste Dawn Eden talks us down at the end, and I believe the photo of her is one I took when she was interviewing the Buzzcocks on a hotel bed.
4. Annabella Lwin (Bow Wow Wow) , July 1983
They had recently played at a club called the Brooklyn Zoo (great show, BTW), and from there went further on their tour when disaster struck. This was actually the beginning of the end of the band, though Merle or Annabella could not have known that. It was really hot in the studio that day, as it was mid-summer and the air conditioner broke, but Anabella was a true dear and stayed around in a sweat without complaint.
5. Lene Lovich, March 1983
Introduced by Michele Piza, Lene was a pleasure to work with, as she was when Videowave interviewed her again in 1990, on location near Grammercy Park. Here in the studio, she was interviewed by David G. (Rosenberg), and was very open and friendly. American born and living in England, she later shared the interview stage with fellow expatriate Holly Beth Vincent (to be shown in a later blog), who gave me the impression she did not want to be there (though Alan had a different, more successful experience with her that day). But Lene, no one had any argument about her positive energy on that day, and in ’90.
6. Nina Hagen, February 1984
Nina Hagen did everything she could to be a thorn in the side of all of the people working on the show, including holding up a can of guava juice in front of her face and refusing to take it down for a long, expensive waste of time. Again, I wonder how much of her “personality” is real, and how much is affectation. I do know that I wanted to smack her. Merle was a total pro, though, and she did not reflect the previous goings on during the interview.
Should I continue this series, readers?
|
|
|---|
Showing posts with label 1980s. Show all posts
Showing posts with label 1980s. Show all posts
Thursday, February 3, 2011
Sunday, April 12, 2009
Some 1980s Music Worth Revisiting
Text and photos (c) Robert Barry Francos
Images from the Internet
Here are a half dozen songs of differing styles that are worthy of remembering, in a period when much of the mainstream music was somewhat lame. They all emerged in the 1980s, either populist somewhere in the world, cult figures, or who-the-hell? Enjoy, and feel free to add some of your own in the comments.
Hayzee Fantayzee – Shiny Shiny
Honestly, I was not a fan of this style, made more famous by Boy George and his ilk, but HF predates the Jail Boy, who claimed their fashion as his. Led by the exceedingly tall and lanky Jeremy Healy and Kate Garner (I met her once and she was at least a head taller than me), their sound was a mix of pop, reggae and quirk. They also had a hit in their native UK with “John Wayne is Big Leggy,” but I prefer this one, followed by “Sister Friction.” Video prodcer Alan Abramowitz was duly impressed at the time with this particular video and its uise of “wipes,” cutting edge at the time.
Mari Wilson – Beware Boyfriend
Mari Wilson is, musically, what Lilly Allen is trying to be, but failing (despite the latter’s success), and her hair, I’m sure, inspired the rattrap of Amy Wino (who also owes a huge debt to Wilson’s vocal style). Wilson’s blousy blue-eyed soul is engaging, making one want to waves their arms in the air along with the song. There is actually a very funny video that does along with this, but this one is the best I could find. Much more appreciated in her native UK at the time, Wilson just had the right sound at the wrong time. She deserves better.
[Richard Barone, of the Bongos, at the Peppermint Lounge]
The Bongos – Number with Wings
Out of Hoboken, NJ, and the first band to play at Maxwell’s (in an early incarnation), the Bongos were (and occasionally are during semi-frequent reunions) a pop cult hit, as much as cult bands can be. The two men at the front of the group, Richard Barone and James Mastro, are both still local heroes for both their work in this band and as solo artists. Another member of the group, Rob Norris, had been in a nascent version of the A-Bones called the Zantees (which is where I first became aware of him). I saw the Bongos play a couple of times just before their heyday, and they were a fun band to watch. What is the meaning of this song is anyone’s guess, but I just enjoy it for the ride.
Rachel Sweet – Please Mr. Jailer
Rachel Sweet – Then He Kissed Me/Be My Baby
Even though Rachel Sweet was at one point signed to a couple of major labels, Stiff and Columbia, she definitely was not given the credit due, even though she did have one hit with “Everlasting Love,” co-shared with Rex Smith. Like Brenda Lee, she was short and had a voice one could hear a mile away without a mic. And unlike many belters, such as Celine Dion or Kelly Clarkson, Rachel had subtlety in her unique and beautiful voice. While she did the theme to the John Waters’ film Hairspray and had a minor hit with “Voodoo,” I picked two of my favorites of hers that I feel give a feel to what is so attractive about her style. First, is from another Waters’ film, Cry Baby, where she did a Marnie Nixon for Amy Locane, blasting through this powerful blues number, “Please Mr. Jailer.” The second song actually earlier than “Jailer,” and is a medley cover of the girl group classics “Then He Kissed Me” and “Be My Baby.” While the sound quality of the video is off, it shows the range of her voice from soft and sexy to brash and sexy.
Cheepskates – Run Better Run
Without giving any measure to quality or rank of order, during the early ‘80s there were two strata of post-garage bands that would play in New York. The first included bands like the Chesterfield Kings, the Vipers, the Lyres, and the Fuzztones. The second included the likes of the Tryfles, the Outta Place, and the Cheepskates. Of all those bands, the Cheepskates, led by Shane Flaubert, was the most pop-oriented, but lost none of the ‘60s garage sound, thanks to Shane’s excellent farfisa skills. The rest of the band was great, as well. Plus, the drummer then came from my neighborhood and in fact we attended the same high school (but years apart). It was always a pleasure seeing them play. This particular song is arguably their grandest moment. As far as I know, there is no “official” video for it (though the entire song was captured live and shown on Videowave for a garage special, but has not been digitized yet). The clip here is from a later period and well short of complete, but it gives a idea of the strong and hypnotic pull of the song.
[Julie, vocalist of Ja Ja Ja, on the set of Videowave]
Ja Ja Ja – I Am an Animal
I cannot hope to explain the appeal of this song to me; perhaps it is the indie underdog-ness or the sheer cheesiness, but from the first time I saw this after I met the singer when she was interviewed on Videowave, it has stuck with me. The costumes, the sets, the effects, they all come out like a $3 bad dream, and I won’t even begin to go into the hip-hop middle, but the opening lyrics are enjoyable (“I watch the other animals who think they’re not / They look 2:00 / To know if they’re hungry / They’re acting like robots / And because I’m not / They’re getting angry”), Julie’s voice is childlike in a positive way to me, and, well, it’s just so freakin’ weird! This is the only thing I have every heard by Ja Ja Ja.
X-Teens – Change Gotta Come
For an indie band in the early '80s, this video was quite the production. True, the song has absolutely nothing to do with the video, but in those days, the door was wide open and anything was possible. Strongly influenced by films like (and especially) Raiders of the Lost Ark, the band seems to be having a lot of fun acting out some fantasy sequences, searching for the "Speilberg" stone. While I have the album this song came from, I have no idea what happened to the band. One can't help but enjoy this, even with it's hippie-esque, Reagan-era question, "Whatever happened to the love generation?"
Other worthy songs that I would like to add, but cannot find the videos:
Lenny Kaye Connection: I Got a Right
Billy & the Buttons: Whole Fam Damly
This column is dedicated to ‘80's video fan, Alex’s Bookbag.
Images from the Internet
Here are a half dozen songs of differing styles that are worthy of remembering, in a period when much of the mainstream music was somewhat lame. They all emerged in the 1980s, either populist somewhere in the world, cult figures, or who-the-hell? Enjoy, and feel free to add some of your own in the comments.
Hayzee Fantayzee – Shiny Shiny
Honestly, I was not a fan of this style, made more famous by Boy George and his ilk, but HF predates the Jail Boy, who claimed their fashion as his. Led by the exceedingly tall and lanky Jeremy Healy and Kate Garner (I met her once and she was at least a head taller than me), their sound was a mix of pop, reggae and quirk. They also had a hit in their native UK with “John Wayne is Big Leggy,” but I prefer this one, followed by “Sister Friction.” Video prodcer Alan Abramowitz was duly impressed at the time with this particular video and its uise of “wipes,” cutting edge at the time.
Mari Wilson – Beware Boyfriend
Mari Wilson is, musically, what Lilly Allen is trying to be, but failing (despite the latter’s success), and her hair, I’m sure, inspired the rattrap of Amy Wino (who also owes a huge debt to Wilson’s vocal style). Wilson’s blousy blue-eyed soul is engaging, making one want to waves their arms in the air along with the song. There is actually a very funny video that does along with this, but this one is the best I could find. Much more appreciated in her native UK at the time, Wilson just had the right sound at the wrong time. She deserves better.
[Richard Barone, of the Bongos, at the Peppermint Lounge]The Bongos – Number with Wings
Out of Hoboken, NJ, and the first band to play at Maxwell’s (in an early incarnation), the Bongos were (and occasionally are during semi-frequent reunions) a pop cult hit, as much as cult bands can be. The two men at the front of the group, Richard Barone and James Mastro, are both still local heroes for both their work in this band and as solo artists. Another member of the group, Rob Norris, had been in a nascent version of the A-Bones called the Zantees (which is where I first became aware of him). I saw the Bongos play a couple of times just before their heyday, and they were a fun band to watch. What is the meaning of this song is anyone’s guess, but I just enjoy it for the ride.
Rachel Sweet – Please Mr. Jailer
Rachel Sweet – Then He Kissed Me/Be My Baby
Even though Rachel Sweet was at one point signed to a couple of major labels, Stiff and Columbia, she definitely was not given the credit due, even though she did have one hit with “Everlasting Love,” co-shared with Rex Smith. Like Brenda Lee, she was short and had a voice one could hear a mile away without a mic. And unlike many belters, such as Celine Dion or Kelly Clarkson, Rachel had subtlety in her unique and beautiful voice. While she did the theme to the John Waters’ film Hairspray and had a minor hit with “Voodoo,” I picked two of my favorites of hers that I feel give a feel to what is so attractive about her style. First, is from another Waters’ film, Cry Baby, where she did a Marnie Nixon for Amy Locane, blasting through this powerful blues number, “Please Mr. Jailer.” The second song actually earlier than “Jailer,” and is a medley cover of the girl group classics “Then He Kissed Me” and “Be My Baby.” While the sound quality of the video is off, it shows the range of her voice from soft and sexy to brash and sexy.
Cheepskates – Run Better Run
Without giving any measure to quality or rank of order, during the early ‘80s there were two strata of post-garage bands that would play in New York. The first included bands like the Chesterfield Kings, the Vipers, the Lyres, and the Fuzztones. The second included the likes of the Tryfles, the Outta Place, and the Cheepskates. Of all those bands, the Cheepskates, led by Shane Flaubert, was the most pop-oriented, but lost none of the ‘60s garage sound, thanks to Shane’s excellent farfisa skills. The rest of the band was great, as well. Plus, the drummer then came from my neighborhood and in fact we attended the same high school (but years apart). It was always a pleasure seeing them play. This particular song is arguably their grandest moment. As far as I know, there is no “official” video for it (though the entire song was captured live and shown on Videowave for a garage special, but has not been digitized yet). The clip here is from a later period and well short of complete, but it gives a idea of the strong and hypnotic pull of the song.
[Julie, vocalist of Ja Ja Ja, on the set of Videowave]Ja Ja Ja – I Am an Animal
I cannot hope to explain the appeal of this song to me; perhaps it is the indie underdog-ness or the sheer cheesiness, but from the first time I saw this after I met the singer when she was interviewed on Videowave, it has stuck with me. The costumes, the sets, the effects, they all come out like a $3 bad dream, and I won’t even begin to go into the hip-hop middle, but the opening lyrics are enjoyable (“I watch the other animals who think they’re not / They look 2:00 / To know if they’re hungry / They’re acting like robots / And because I’m not / They’re getting angry”), Julie’s voice is childlike in a positive way to me, and, well, it’s just so freakin’ weird! This is the only thing I have every heard by Ja Ja Ja.
X-Teens – Change Gotta Come
For an indie band in the early '80s, this video was quite the production. True, the song has absolutely nothing to do with the video, but in those days, the door was wide open and anything was possible. Strongly influenced by films like (and especially) Raiders of the Lost Ark, the band seems to be having a lot of fun acting out some fantasy sequences, searching for the "Speilberg" stone. While I have the album this song came from, I have no idea what happened to the band. One can't help but enjoy this, even with it's hippie-esque, Reagan-era question, "Whatever happened to the love generation?"
Other worthy songs that I would like to add, but cannot find the videos:
Lenny Kaye Connection: I Got a Right
Billy & the Buttons: Whole Fam Damly
This column is dedicated to ‘80's video fan, Alex’s Bookbag.
Subscribe to:
Posts (Atom)
